Bold and Balearic with: Cheap Monk x David Briales – Ostro

Bold and Balearic with: Cheap Monk x David Briales – Ostro

Bold and Balearic with: Cheap Monk x David Briales – Ostro

OK, in order that’s not an image from Ibiza (it’s the South of England). But go together with it and luxuriate in some pretty Balearic fashion downtempo from Cheap Monk x David Briales.

Cheap Monk and David Briales are each from Spain. Cheap Monk is a producer primarily based in Madrid and David Briales is a guitarist and composer from Malaga in Southern Spain. And their new observe Ostro is simply the ticket for those who’re nonetheless struggling, like me, a Northern European winter.

Ostro the factor is a heat and humid wind, southern and noon. Sometimes it brings rain (extra here). The artists say of the observe that it’s “an endeavour to bring the scene of Instrumental Hip-Hop closer to our land, blending the sound of the Spanish guitar with the rhythms of ’90s East Coast Hip-Hop from the United States.”

Ostro the observe is totally pretty. Brings that mild quintessentially Spanish guitar work with a little bit of a folktronica clatter. It’s heat and warming.

The guitar carries centre stage however is cleverly not left alone or to its personal units. It’s primarily wrapped in mild synths and people sounds that give it a lightweight campfire really feel. The observe skips and gambols round in a continuing whorl.

Is it too early to pitch this because the sound of the summer time?

~ by acidted on February 23, 2024.

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Moody electronica from: NEDAL:M – Back to Terminus

Moody electronica from: NEDAL:M – Back to Terminus

Moody electronica from: NEDAL:M – Back to Terminus

Some moody electronica techno from NEDAL:M with the sound of Egypt.

NEDAL:M was born and bred in Cairo. He says he’s “drawing inspiration from the spirit of Egypt and the captivating rhythms of Africa, constantly pushing boundaries and creating a seamless blend of diverse genres.”

That’s definitely the case on Back to Terminus from his Meditations and Escalations EP. It’s half moody techno and half Egyptian strings and sounds. It’s all very atmospheric.

Back to Terminus’ opening part is constructed round a throbbing wooing bass sound with a smidge of background tympani. It’s all very darkish techno intent with an undercurrent of intrigue.

For the second part the bass offers method to tumbling drums and Egyptian strings. This lightens the temper and strikes the monitor into one thing extra widescreen and windswept. In the ultimate part the 2 moods come collectively just like the gathering of storm clouds at a distance.

The tumult isn’t but right here however you recognize it’s coming. A way of anticipation nevertheless it doesn’t fairly arrive and the monitor fades on the finish considerably.

An important little bit of listening electronica. Headphones beneficial.

~ by acidted on February 22, 2024.

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Tinlicker releases extremely anticipated 13-track album

Tinlicker releases extremely anticipated 13-track album

Tinlicker’s emotional but danceable extremely anticipated third studio album, Cold Enough For Snow is out now on [PIAS] Électronique. The LP includes a starry roster of collabs on a lot of the 13 tracks, inc. focus observe ‘Glasshouse’ with Julia Church. Dutch duo Micha Heyboer & Jordi van Achtoven will unleash the album and their natural reside sound on an accompanying European, and just-announced North American Album Tour.  

13-Track LP ‘Cold Enough For Snow’: Tinlicker’s diamond-sharp manufacturing expertise reinforce their signature melodic sound with emotion-invoking indie guitar sounds, soulful vocals, arresting lyrics, and orchestral devices, in order that hearts, minds and ft can solely blissfully give up. 

‘Glasshouse’ feat Julia Church showcases Church’s stirring, craving, but edgy voice with lyrics affirming religion in love – ‘I know/there is hope, even in the dark, you glow/…/ I was never in doubt’- whereas quick, breaksy beats and melodic piano arps create an uplifting but thought-provoking vibe. ‘Glasshouse is written about having a recurring dream about someone you love’ Julia says. ‘How their memory flashes in and out of your world in the same way they did – and no matter where they are, continuing to live in a way that would make them proud. Nathan [Nicholson] and I fell in love with this beautiful instrumental and we loved working together to find the perfect topline.’

Album Tracks/Collabs: South African vocalist/producer Church (60mil+ streams) additionally sings on ‘Slipstream’, (supported by BBC’s Sian Eleri and Pete Tong), written/produced with main album collab accomplice, Boxer Rebellion’s Nathan Nicholson whose haunting, soul-tearing voice rides the woodwind melodies of the Metropole Orkest on ‘Strawberry’, the breakbeat, pizzicato ‘Crossroads’, and the disjointed keys and punchy arps of ‘Staring Down Sunset’. 

An uplifting indie singing guitar sound duets with Editors’ Tom Smith’s world-weighted, heart-catching voice on ‘This Life’, enhances Kieran’s hovering vocal on ‘Nothing To Lose’ feat Circa Waves, and emerges by means of the breathy voice and harmonium chords of ‘Who I’m Not’ feat Cloves, whereas Brian Molko’s decadent tones minimize by means of the uncharacteristically trancey setting of ‘Nowhere To Go’, to create a special type of ‘Placebo’ impact.

‘I love what music can do for people, become the soundtrack to lives we don’t learn about, turn into very particular to them.’ Micha/Tinlicker

The 2024 EU and North American excursions: Tinlicker return to the UK, to the legendary Troxy London, Marble Factory (Bristol), Mandela Hall (Belfast). EU dates inc. Gashouder (NL), Elysee Montmartre (Paris), Magazzini Generali (Milan), Vicar Street (Dublin), Live Music Hall (Cologne), Fabrik (Hamburg)… breaking new floor in lots of cities/nations. Their newly introduced North American tour inc. New York, LA, Detroit, Nashville, Houston, Toronto, Montreal.

Album Tracklist: 

  1. Glasshouse (feat. Julia Church) 
  2. Staring Down Sunset (feat. Nathan Nicholson)
  3. Nothing to Lose (feat. Circa Waves)
  4. Blowfish
  5. This Life (feat. Tom Smith)
  6. Slipstream (feat. Julia Church)
  7. Who I’m Not (feat. Cloves) 
  8. Revolution
  9. Crossroads (feat. Nathan Nicholson)
  10. In Your Eyes 
  11. Nowhere To Go (feat. Brian Molko)
  12. Strawberry (feat. Nathan Nicholson & Metropole Orkest)
  13. Pretender

Follow Tinlicker:

WebsiteFacebookXSoundcloudYoutubeInstagramSpotify

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Tinlicker drops new album, Cold Enough For Snow

Tinlicker drops new album, Cold Enough For Snow

Tinlicker’s emotional but danceable extremely anticipated third studio album, Cold Enough For Snow is out now on [PIAS] Électronique. The LP incorporates a starry roster of collabs on many of the 13 tracks, inc. focus observe ‘Glasshouse’ with Julia Church. Dutch duo Micha Heyboer & Jordi van Achtoven will unleash the album and their natural reside sound on an accompanying European, and just-announced North American Album Tour.  

13-Track LP ‘Cold Enough For Snow’: Tinlicker’s diamond-sharp manufacturing abilities reinforce their signature melodic sound with emotion-invoking indie guitar sounds, soulful vocals, arresting lyrics, and orchestral devices, in order that hearts, minds and ft can solely blissfully give up. 

‘Glasshouse’ feat Julia Church showcases Church’s stirring, craving, but edgy voice with lyrics affirming religion in love – ‘I know/there is hope, even in the dark, you glow/…/ I was never in doubt’- whereas quick, breaksy beats and melodic piano arps create an uplifting but thought-provoking vibe. ‘Glasshouse is written about having a recurring dream about someone you love’ Julia says. ‘How their memory flashes in and out of your world in the same way they did – and no matter where they are, continuing to live in a way that would make them proud. Nathan [Nicholson] and I fell in love with this beautiful instrumental and we loved working together to find the perfect topline.’

Album Tracks/Collabs: South African vocalist/producer Church (60mil+ streams) additionally sings on ‘Slipstream’, (supported by BBC’s Sian Eleri and Pete Tong), written/produced with main album collab associate, Boxer Rebellion’s Nathan Nicholson whose haunting, soul-tearing voice rides the woodwind melodies of the Metropole Orkest on ‘Strawberry’, the breakbeat, pizzicato ‘Crossroads’, and the disjointed keys and punchy arps of ‘Staring Down Sunset’. 

An uplifting indie singing guitar sound duets with Editors’ Tom Smith’s world-weighted, heart-catching voice on ‘This Life’, enhances Kieran’s hovering vocal on ‘Nothing To Lose’ feat Circa Waves, and emerges by means of the breathy voice and harmonium chords of ‘Who I’m Not’ feat Cloves, whereas Brian Molko’s decadent tones reduce by means of the uncharacteristically trancey setting of ‘Nowhere To Go’, to create a special sort of ‘Placebo’ impact.

‘I love what music can do for people, become the soundtrack to lives we don’t find out about, change into very particular to them.’ Micha/Tinlicker

The 2024 EU and North American excursions: Tinlicker return to the UK, to the legendary Troxy London, Marble Factory (Bristol), Mandela Hall (Belfast). EU dates inc. Gashouder (NL), Elysee Montmartre (Paris), Magazzini Generali (Milan), Vicar Street (Dublin), Live Music Hall (Cologne), Fabrik (Hamburg)… breaking new floor in lots of cities/nations. Their newly introduced North American tour inc. New York, LA, Detroit, Nashville, Houston, Toronto, Montreal.

Album Tracklist: 

  1. Glasshouse (feat. Julia Church) 
  2. Staring Down Sunset (feat. Nathan Nicholson)
  3. Nothing to Lose (feat. Circa Waves)
  4. Blowfish
  5. This Life (feat. Tom Smith)
  6. Slipstream (feat. Julia Church)
  7. Who I’m Not (feat. Cloves) 
  8. Revolution
  9. Crossroads (feat. Nathan Nicholson)
  10. In Your Eyes 
  11. Nowhere To Go (feat. Brian Molko)
  12. Strawberry (feat. Nathan Nicholson & Metropole Orkest)
  13. Pretender

Follow Tinlicker:

WebsiteFacebookXSoundcloudYoutubeInstagramSpotify

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The completely trippy style of: Elon’s Musk by Ari Joshua feat. iLL Gates and Cory Cavazos

The completely trippy style of: Elon’s Musk by Ari Joshua feat. iLL Gates and Cory Cavazos

The completely trippy style of: Elon’s Musk by Ari Joshua feat. iLL Gates and Cory Cavazos

Time for a visit past with Ari Joshua and mates on this downtempo acid journey of the LSD selection.

Ari Joshua was born in Cape Town, South Africa, & raised in Seattle, WA. His influences are fairly various as demonstrated by individuals he’s labored with. He has recorded, carried out, & collaborated with Rock ‘n Roll legends like Stone Gossard (Pearl Jam), Michel Shreive (Santana), Barrett Martin (Mad Season & Screaming Trees), & Peter Buck (REM). But largely what shines by means of is a fragile synthwave sensibility married to a sixties psychedelia tendency.

As an illustration, right here’s new single Elon’s Musk. It’s made in collaboration with GUITARI’s layered guitars and with iLL Gates’ on drums. It additionally comes with a canopy that wouldn’t look misplaced on a 70s prog rock album. And but the sounds are completely fantastic.

Yes, sure this has 40 layers and all that. Technically, it’s sensible. But that has nothing to do with how good that is. It’s like some widescreen symphony. The greatest bits of 70s synths have been put by means of a 90s Ambient chill machine to provide one thing completely now.

This is spaced and spacey. It tinkles, ripples and opens galaxies. And maybe your third eye. Hippies previous and new will love this. Ambient stylish traditional within the making.

~ by acidted on February 20, 2024.

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FilthyMcDead – a nasty guitar experimentation

FilthyMcDead – a nasty guitar experimentation

Filthy, nasty guitar experimentation from McDead

Electronic McDead returns with his latest album, a neo-psychedelic experience. Mad Max Sort of track Expect Guitars turned to 11

McDead has been a hit with the public. ColchesterArchaeologist in the UK Melbourne, Australia. Here’s New track Slick. It’s It’s a bit like a full-frontal attack on the senses. But It’s bloody brilliant. Think The leftfield edges Big Beat. Say Death You can also find out more about the following: Vegas You can also find out more about The Chemical Brothers Remix of The Charlatans.

Of Slick McDead Says “A filthy rough necked guitar track about oil and money, A lot of people have to work away from home in Oz doing some pretty grim things… not so much me, but I have seen some horror stories over the last few years – I hope you can get a feel for what this all sounds like here.”

What you get is a warped heavy synth intro that opens the door to an interstellar bar and ‘that’ guitar. It’s Heavy and detuned. It’s A soundtrack for a dramatic moment Mad Max scene. All The sound of machines, bright sunshine and dirty people.

The Guitar is a powerful tool that cuts through all obstacles with a buzzsaw-like presence. This Wants you to lay down and be beaten into submission. You Waves of sound will crash over your head, like huge rollers.

If If you’re lucky enough to make it through, you can expect to grin as you close the door of the bar and prepare to dive back in.

by acidted February 19, 2024.

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